e martë, 3 korrik 2007

"'Affected by her background in dance and theatre, Rawlings’s text has a kinetic aspect, an awareness of the body and the breath, which is unusual in such linguistically innovative writing. She brings a vocabulary of dance and the body to her consideration of how to approach text as an active, moving site, asking, "How can sound translate into text, text into movement, movement into text? How can a page act as a stage for words?"

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